Examining the Three Luxury Consumer Profiles

When examining luxury consumer profiles, it’s important to first define luxury. Where does the concept of luxury come from? There’s nothing innate about it; no magic formula you can execute without verve, passion, or insight; no well-trodden path with a single destination awaiting you at its end. Luxury occurs when an object is created in a moment, by the moments that surround it, for the moments we will remember.

Luxury Consumer - Rolex

Image Courtesy of Rolex

In these trying times, manufacturers are tying themselves in knots to accommodate an evermore-demanding client base. A noticeable spike in special and limited edition watches can be attributed to the clamorous call for exclusivity. How this notion of exclusivity manifests, however, is a question in itself, and one any designer/marketer/manufacturer must bear in mind when tailoring their output to customer demand.

The Connoisseur

Luxury Consumer - Omega

Image Courtesy of Omega

Broadly speaking, there are three types of luxury consumers. Knowing each one is imperative for companies when they hit the drawing board, because it’s imperative to pitch your product effectively.

The first of these characters, and undoubtedly the easiest to satisfy, is the connoisseur. A connoisseur of quality seeks that and that alone. These buyers are likely to buy a commonly regarded stalwart like a Rolex Submariner, or an Omega Speedmaster etcetera. These watch lovers require less of a story (and a lot less massaging) to make a purchase. Their decisions are generally based on rationale and value propositions. But owning something universally regarded as ‘solid’ is not enough for many luxury consumers, much less the ones with the real money muscle…

The Clubman

Luxury Consumer - MB and F

Image Courtesy of MB&F

The Clubman seeks out limited editions as a way to access an exclusive enclave of the industry. Sure, a Speedy is cool, but a limited Speedy? That automatically elevates you above all those thousands upon thousands of connoisseurs who recognise your choice as one of quality, and identify your superior wealth or access by your watch’s limited nature.

This stratum of customer is always growing. Certain brands that run their watches at extremely low numbers appeal to this group. High concept brands like HYT and MB&F focus on this demographic intensely. With almost every model created in restricted numbers, you’re guaranteed a level of exceptionality brands boasting ‘core’ pieces simply cannot match.

Check out the HYT H3 and the MB&F Legacy Machine Perpetual for prime examples.

The Trailblazer

Luxury Consumer - Romain Jerome

Image Courtesy of Romain Jerome

Trailblazers don’t want to be like anyone else. These luxury consumers want to stand out from the crowd by sporting one-off pieces created for the super rich, or more standard models sporting high quality after-market modifications (as often performed by Bamford Watch Department and Made Worn).

The bread and butter pieces chased by the trailblazer are often obscenely expensive, but remarkable for their uniqueness and execution. For truly trailblazing watchmaking, look to the independents producing true one offs – Voutilainen, Romain Jerome, or Richard Mille offer excellent examples of off-the-wall creations that will mark you as a man or woman of discernment.

 

About the Author

Fell Jensen is a Swiss-trained watchmaker working as an industry analyst.

Related Blogs

Things Every Watch Lover Should Know

What a Luxury Watch Can Say About You

Collecting Watches as an Investment

How to Spot Fake Patek Philippe Watches?

My task today is to equip you with a few tips when it comes to spotting fake Patek Philippe watches. On the one hand, telling the difference between a real and a counterfeit Patek Philippe watch is an easy task if you’re relatively well acquainted with the brand and what it stands for (the level of investment required to buy in to Patek’s entry level is so significant that one would assume such a potential purchaser would be pretty well-versed in the nuances of watchmaking as it is).

On the other hand, there are some pretty good fakes out there these days (which have pushed the global market for counterfeit pieces up to around a billion dollars per year). But let’s start with the obvious – the things you’re more likely to see if someone new to watchmaking turns up at work one day flashing a Calatrava they’ve picked-up on the beach in Benidorm and wants your expert take. Be gentle with them: Even fakes can command some pretty serious cash these days…

Patek Philippe

Image Courtesy of Patek Philippe

The Basics: Quality, Quality, Quality

As much as it pains me to point out some glaringly obvious signs you’re handling a fake, it would be remiss of me not to run through the patent giveaways just in case you’re unsure.

Patek Philippe is a world-leading company. Their wares are right at the top of the tree when it comes to the execution of time-honoured techniques. Instantly, when you pick up a real Patek, you should feel like you’re holding something valuable. Spotting fake Patek Philippes starts here. The case should have a real depth of lustre to it, and the finishing should be crisp and exact. Forget buttery edges, a blurring between polished and brushed surfaces, or any kind of roughness. It should look like it’s been hewn by the hands of God.

The movement itself should be perfectly finished, and bear the typical finishing patterns of a Patek Philippe – most notably Geneva stripes. Depending on its age, it should either bear the Geneva Seal (the Poinçon de Genève) or the Patek Philippe Seal.

Tilt the movement in the light – any wobbles or ‘dead spots’ in the metal could be a tell tale sign of poor quality materials used, or a substandard plating process having been applied to the movement.

I’ve seen a lot of Grade-A fakes that look good on the wrist. From a glance, they are indistinguishable from the genuine article in daylight. That said, if you’re dealing with a model such as the Aquanaut, you can instantly tell the difference by switching the lights off and studying the lume. Strength of glow and, most crucially, lume consistency and precise application are areas a lot of fakes neglect. The Aquanaut family doesn’t make-up a massive percentage of the Patek range, but it is a super popular fake, partly because it’s in vogue, and partly because a sports watch in steel is a damn sight easier to forge than a classically styled piece in precious metal.

And look out for blued screws – many fakers add this traditional feature to make the watch appear more luxurious, but Patek do not.

So in very basic terms when spotting fake Patek Philippe watches, look for flaws, not for logos, case shapes, or dial design. These things can be lifted from any retailer website and replicated exactly. What they can’t fake so easily, though, are centuries of experience when it comes to producing the components the brand is known for.

On Your Backs

Patek Philippe

Image Courtesy of Patek Philippe

As soon as you flip a fake watch, however, the truth reveals itself to you: Stock movements (often modified ETA 2824 clones) are a dead giveaway. A quick catalogue search would reveal such an obvious ploy, but what about watches that appear to feature the correct movement? What then? Does a genuine Patek Philippe movement mean you’re holding a genuine Patek Philippe watch? Unfortunately, that’s not necessarily the case (pun intended).

The Emperor’s New Clothes

Frankenstein watches (or Frankenwatches) are a thorn in the side of every discerning collector – especially those trawling the pre-loved market for a steal. Hot fakes – those just off the production line – are almost always deficient in quality in a depressingly obvious way, but ‘new’ watches that have been cobbled together from parts of genuine watches, or been rebuilt from a genuine core are harder to spot. Luckily, though, forgers often let themselves down by trying to be too clever.

Patek Philippe

Image Courtesy of Patek Philippe

If you have a watch powered by what you’re confident is a genuine Patek Philippe movement, check the case back for serial numbers. Patek never engrave the serial on the outside of the case. On closed case back models, the serial is engraved in the centre of the case back on the inside; on display backs, the serial is still tucked away out of view, around the interior edges.

Some forgers will try and link the case to the movement number by engraving it on the outside. That’s a dead giveaway. Despite this, the serial number itself could be genuine – it’s easy enough for a forger to hijack an existing serial and stamp their watch with it. For a fee, Patek will delve into their extensive library and confirm whether or not a quoted reference is correct. If, however, it doesn’t match the model of the watch in question, that’s your cue to run a mile.

Being sure of the veracity of your purchase is essential. Never make snap decisions. If you feel you might be missing out on the bargain of a lifetime unless you act rashly, leave it. Bargains and Patek Philippe are not well associated for a reason. Keep a cool head and the ear of an expert to hand at all times – that’s the only way to guarantee you’re making a sound decision.

 

About the Author

Fell Jensen is a Swiss-trained watchmaker working as an industry analyst.

Related Blogs

Are Patek Philippe Watches a Good Investment?

Patek Philippe – Highlights of Watch-Making Excellence

Authenticating an Audemars Piguet Royal Oak

February’s Car of the Month – The Maserati Levante

For February’s car of the month, Borro Blog have chosen a market that is becoming increasingly popular amongst luxury car manufacturers. It seems more and more brands are expanding their range into SUV production. Just look at the Lamborghini URUS, due to be released this year that has car enthusiasts buzzing.

Maserati Levante

Last spring marked the turn of luxury Italian manufacturer, Maserati, to unveil their first SUV, making their move into the increasingly lucrative SUV sector.

The Week have referred to the Levante as the ‘most important car the Italian marque has made in its entire 102-year history’.

Maserati have opted for a similar approach to their rival Jaguar F-Pace, in adopting a design that is synonymous with Maserati and closely resembles the Ghibli saloon. The broad front grill and the trademark triple side vents sit behind and above both front wheels, a trait that is used on all Maserati vehicles.

Maserati are known for their elegance and luxury, and that hasn’t changed on this model. The interior is fitted with sound deadening and adjustable suspension setups, a touchscreen and eight-speaker stereo system, dual-zone climate control and keyless entry. The interior also comes with 28 trim colour options.

The Levante has a respectable engine performance, with a turbocharged 3.0 litre V6 unit and has a 0-62mph time of 6.9 seconds, with a top speed of 142mph.

The Maserati Levante GranSport made its European retail debut in Spring last year and has a retail price starting at £61,635.

 

Related Blogs

1954 Jaguar D-Type Works – Car of the Month January 2018

What to Expect from the 2018 Classic Car Market

A Guide to Buying a Car at Auction

Six Nations of Luxury Assets 2018

The highly competitive, highly anticipated Six Nations Tournament is back!

In line with our annual tradition, Borro Blog have devised a list of lucrative, intriguing luxury assets that belong to each respective nation. See if you are familiar with your home country’s prized asset.

England

1956 Aston Martin DBR1

Six Nations of Luxury Assets - 1956 Aston Martin DBR1

Given the prestige surrounding British automotive manufacturing, it takes one hell of a car to set a world record for the highest price paid for a British automobile. The DBR1 took the record price in the summer just gone at RM Sotheby’s Monterey auction. The car had unrivalled exclusivity, being one of only five DBR1s to be manufactured and a star-studded racing career contributed to a price tag of $22.5 million (£16,213,000) in August 2016.

France

Chateau Latife 1787

Six Nations of Luxury Assets - Chateau Latife 1787

With some of the most expensive bottles of wine on the planet coming from the famous French vineyards, it is of course wine that lands on our Six Nations of luxury assets list. This particular vintage is the most expensive price ever paid for a standard bottle of wine by publishing tycoon Malcom Forbes, who paid $156,450 (£113,000) in 1985. This was not a surprisingly high price, due to the wine’s age and the fact that this vintage is believed to be from Thomas Jefferson’s (an avid collector of wine) cellar.

Scotland

Macallan ‘M’ Whisky

Six Nations of Luxury Assets - Macallan ‘M’ Whisky

This bottle of whiskey surpassed any other at the Sotheby’s Hong Kong in early July, where it fetched a staggering $628,205 (£452,700) in early January 2014. So, why would someone pay that much? Essentially, the rarity is the biggest contributing factor, with the bottle alone taking 17 craftsmen 50 hours to complete. Or it could be the fact that Scottish distillery, Macallan spent two years choosing seven casks out of nearly 200,000 for the perfect bottle, with each cask ranging in age from 25-75 years old.

Italy

1954 Ferrari 500 Mondail Series 1

Six Nations of Luxury Assets - '1954 Ferrari 500 Mondail Series 1'

Although this is, by no means the most expensive Ferrari ever sold, it was recently sold at Gooding & Co.’s highly coveted Arizona auction January 2018. The sale further highlights the illustrious value of one of Italy’s largest and most prestigious brands, Ferrari. The almost toy like Mondial sold for a cool $4,455,000 (£3,210,000). Being one of only 14 Pinin Farina-Bodied Mondial Spiders, it is easy to see why collectors were willing to bid so much for this classic.

Ireland

The Cello Player – Sir John Lavery

Six Nations of Luxury Assets - The Cello Player – Sir John Lavery

Iconic Irish painter, Sir John Lavery’s ‘Detail of the Cello Player’ sold for four times its estimate of £20-30,000 in 2016 and came in at top of the lot. It fetched £112,500 at Sotheby’s sale of Irish Art in London. Lavery died in 1941 and was best known for his portraits and wartime depictions.

Wales

Clogau Mined Gold

Six Nations of Luxury Assets - Clogau Mined Gold

This was an interesting one, as gold usually has a stable price associated with it that doesn’t tend to drift too far away from the estimated price. However, this Welsh gold, mined in Clogau under government lease between 1979 and 1981 was expected to fetch about £9,000, but instead went on to sell for £44,000. The auctioneer was reportedly told by experts that Welsh gold was ‘visibly discernible’ from other types. This is potentially a reason why members of the royal family have been known to have Welsh gold in their wedding rings in years gone by.

 

Related Blogs

Six Nations of Luxury Assets 2017

Six Nations of Luxury Assets 2016

How to Build an Antique Jewellery Collection

Antique jewelry, like art, property, or automobiles can also serve as an investment. The items that you amass over the course of building your collection will come to define you. Whether you’ve been collecting jewelry for years, or are just starting to get your collection together, there is a lot to consider. From the type of jewellery you are after, to the different occasions it can be worn on, what your budget is, and who and where you are purchasing from, these are all major things to keep in mind.

Remember to be patient, pick pieces that make you feel great about yourself, and to buy from reputable dealers. Whatever stage you are at in jewelry collecting, this guide will help you narrow down some of the best shows nationwide to find the antique jewelry you are after.

Winter Antiques Show

Now in its 17th year of operation, the Winter Antiques Show is one of the most highly regarded fairs in America. Held in New York City’s historic Park Avenue Armory, it features over 70 experts in a wide range of fields. From antique jewellery, fine art, furniture and more, this is the show to attend when searching for the must have items. This year’s fair also featured a mini exhibition from the Virginia Museum of Fine Art entitled “Collecting for the Commonwealth/Preserving for the Nation: Celebrating a Century of Art Patronage, 1919-2018.”

Antique Jewelry a la Vieille

Source: Winter Antiques Show

Some of the most sought-after jewelry this year could be found at the A la Vieille Russe, Inc booth which specializes in American and European antique jewellery, Russian decorative and fine arts and more. The Winter Antiques Show took place from January 19-28, 2018.

Original Miami Antiques Show

This is the largest indoor antique show in the US with over 600 vendors spanning the globe from 28 countries. Whether you are looking for key pieces to add to your collection, or to meet the movers and shakers of the antique world, this is one of the premiere events to attend.

Antique Jewelry - Jacobs Estate Jewelry

Source: Jacob’s Diamond Estate Jewelry

The show features a wide range of objects ranging from the Renaissance to the Art Deco periods. With a focus on vintage engagement rings, 19th and 20th century, Victorian and Edwardian jewellery, Jacob’s Diamond & Estate Jewellery will be offering up some of the best pieces at this year’s fair. Over the course of the four-day show, over 18,000 people will attend. This year the fair will be open from February 9-12, 2018.

Palm Beach Jewelry, Art & Antiques Show

Now in its 15th year, this show has become a standard within the antiques world. This year’s show will have over 170 vendors from around the world, as well as an exciting lecture series. There will be a wide range of objects to feast your eyes on, as well as pieces from some of the most elite jewellers.

Antique Jewelry - J.S. Fearnley

Source: J.S. Fearnely

One stand-out vendor this year is J.S. Fearnely. With a wide range of jewellery to choose from ranging from the 19th century, to modern there is a mix of beautiful, unique pieces to suit everyone’s taste. This year’s fair will be held from February 14-20, 2018.

Las Vegas Antique Jewelry & Watch Show

Antique Jewelry - Aaron Faber

Source: Aaron Faber Gallery

This is the largest show in the US to cater to just antique jewellery and watches! If you are looking for that unique item to complete your collection and haven’t been able to find it yet, then look no further. With close to 400 vendors who will be part of this event, there will be many jewelry options to choose from. Be on the lookout for pieces by Cartier, Tiffany’s, David Webb, Harry Winston, Patek Philippe, Van Cleef & Arpels and more. From the various stunning collections on view, you will be able to find unique pieces from the Renaissance through Modern era.

Be sure to check out the Aaron Faber Gallery which is based in NYC. From contemporary studio jewelry pieces, classic new and old works, and collectable vintage timepieces, this seller has you covered for whatever you may be seeking. The show will happen May 31- June 23, 2018.

The New York Antique Jewelry & Watch Show

Rounding out the list is the New York Antique Jewelry. Similar to the show in Las Vegas with a focus on just two kinds of items, the New York leg offers a more intimate experience with a little more than 100 of the world’s more seasoned jewelry and watch experts. Despite its size, this show has an array of items from many eras. Keep your eyes peeled for one of kind pieces by Cartier, Tiffany & Co., David Webb, Harry Winston, and many more. The show is also shorter than the others and will occur July 27-29, 2018.

Whether you are after nostalgic, delicate rings and necklaces from the Art Deco Era, chunky, modern pieces from the 1970s through today, or a mix of both, you will be sure to find something for all taste levels at each of these shows. When you are browsing, remember to do your homework beforehand on the vendors and the pieces you are interested in. This can help save you time in the long run and can help you better organize what you are after, keeping you within your budget.

 

About the Author
Anni Irish has been a contributing writer to several online publications including Boston based publication, The Dig, New York Arts Magazine, and ArteFuse among others. She holds a BFA from the School of the Museum of Fine Arts/Tufts University, an MA in Gender and Cultural Studies from Simmons College, and an MA in Performance Studies from New York University.

 

Related Blogs

How to Find Antiques to Collect

https://www.borro.com/borro-blog/fine-art-antiques/winter-antiques-show

How is High-End Jewel 

White Hot Luxury: Best Watches for Snow Sports

There are a lot of things to think about when planning a holiday, especially a skiing or snowboarding break. With so much to pack, allow me to step in and offer five of the best watches for snow sports that range from the frivolously fun to the fearsomely functional.

Omega White Side of the Moon

Coordination is key. Stepping out on the slopes bedecked in the latest garb is all well and good, but if your watch doesn’t match your outfit then you’ll fall flat on your face (possibly in more ways than one).

Watches for Snow Sports

Image Courtesy of Omega

To guarantee you’ll match at least your surroundings, go for an Omega Speedmaster White Side of the Moon. A Speedy is always a solid choice, thanks to the rabid group of collectors propelling this stalwart’s popularity to new heights, and the abundance of aficionado inspired information available on the web to make collecting one of Omega’s most enduring classics a joy.

Breitling Emergency

This is the most (arguably only) serious entry on this list of best watches for snow sports. If you’re a fan of off piste adventures, the Breitling Emergency is the choice for you.

Watches for Snow Sports

Image Courtesy of Breitling

A truly enormous watch, the emergency more than justifies it’s gargantuan housing by packing in bucket-loads of potentially lifesaving tech. Unscrewing the antenna located by the seven o’clock lug when you’re not in mortal peril will result in two things: Firstly, a rescue helicopter will turn up to save your life; secondly your bank balance will shrink by a five digit sum. Cool party trick; massive hangover. Basically, don’t use it until you can see the Reaper sharpening his scythe…

Chanel Madamoiselle J12

I’m personally a big fan of Chanel’s watchmaking division. Partly because I’ve always cared more about the end product than the nature of its creation, but mostly because the aesthetics of their output are simply very sleek indeed…

Watches for Snow Sports

Image Courtesy of Chanel

Like it or loathe it, the J12 is a bit of a classic. It’s kind of the grown-up version of the Ice Watch, which although a horological abomination did have a certain je ne said quoi. This particular model references the old Mickey Mouse Rolex with aplomb. The animated cartoon of Coco Chanel is a delight. It is bold, and unapologetically whimsical. And most importantly, looks right at home in the bar after a hard day carving powder. With quite a bit of change from $10,000 (£7,000), this is a neat way to buy into the Chanel story while simultaneously gaining a bit of cult cool – this model is limited to just 555 pieces, after all.

Hublot Big Bang Unico White Ceramic

For those of you who prefer to descend the mountain on one plank rather than two, the Hublot Big Bang Unico White Ceramic might accentuate your rebel spirit a little better than the other models on this list of watches for snow sports.

This member of the frankly enormous Big Bang family is a bloated ceramic masterpiece. A 45mm case houses an in-house Unico movement that is beautifully revealed through Hublot’s characteristically industrial skeletonised dials. At around $20,000 (£14,000) this is an exciting addition to what is fast becoming a classic line of watches.

Audemars Piguet GMT Concept Watch

As the only watch on this list commanding more than six figures (retailing for around $215,000 (£151,000) if you were wondering), the Audemars Piguet GMT Concept Watch is a serious piece of kit.

The original design debuted way back in 2002, at which point it was most definitely one of the craziest watches from the future the world had ever seen. Even now, the best part of two decades later it stands out. And so it should. This white ceramic super watch looks at home in action or relaxing by the fire, and it’s appealing on so many levels it might just justify its mountainous price tag in time.

 

Related Blogs

Are Hublot Watches a Good Investment?

Investigating the Investment Value of Omega Watches

Are Breitling Watches a Good Investment?

Frantic February 2018 Auction Calendar

The 2018 auction calendar is now well underway, with an exciting January as Ferrari dominated the Arizona car week sales, along with an extraordinarily high-priced Jaguar thrown into the mix. The auction buzz continues with the standout auction coming from Sotheby’s Impressionist & Modern Art Evening Sale. Check out the other features from the February 2018 auction calendar.

Bonham’s Jewellery Sale – 7th February

London, Knightsbridge

February 2018 Auction Dates

Image Source: Bonhams

In no uncertain terms, this is an auction for collectors to snap up some elegant, bespoke pieces of jewellery for affordable prices, with the majority of lots coming in at under £5,000. However, for the high rollers amongst you, the top lot comes from prestigious jewellery maker Cartier, with an estimate of £18,000-£22,000 for a ‘Gem set Panthére Tassel Sautoir’. It features a panther’s head with a per shaped tsavorite garnet eyes on a fancy link chain.

 

Artcurial’s Retromobile Sale – 9th February

Paris, Porte de Versailles

February 2018 Auction Dates

Image Source: Articural’s

With two and a half days of viewing available before bidding commences on the afternoon of 9th February, this is set to be a big date for collectors, and a further indication into the classic car market as 2018 proceeds. The Italian luxury cars continue to demand soaring prices at auction, with the pristine condition 1954 Maserati A6 GCS/ 53 Spyder, steeped with illustrious racing history coming in at top of the lot with a higher estimate of €3,600,000 (£3,166,000).

Sotheby’s Impressionist & Modern Art Evening Sale – 28th February

London, Bond Street

February 2018 Auction Dates

Image Source: Sotheby’s

To conclude February’s 2018 auction calendar, Sotheby’s came up with the big blockbuster, featuring a selection of works by the ‘greatest artists of the 19th and 20th centuries.’ With the leading lot coming from Picasso’s portrait of his celebrated muse Marie-Therese Walter, painted in 1937. Sotheby’s have chosen not to include an estimate for the piece, with an estimate only available upon request. However, BlouinArtinfo have estimated the piece to be worth around $50 million (£35 million).

See the full February 2018 auction calendar below:

AuctionAuction HouseCategoryStart DateEnd DateLocationURL
Fine Old Master & 19th Century European ArtSotheby'sFine Art and AntiquesFebruary 1, 2018New Yorkhttps://goo.gl/dZgri6
Master Paintings Evening SaleSotheby'sFine Art and AntiquesFebruary 1, 2018New Yorkhttps://goo.gl/aGRdjF
Master Paintings and Sculpture Day SaleSotheby'sFine Art and AntiquesFebruary 1, 2018New Yorkhttps://goo.gl/JJG6qS
Erotic Art OnlineSotheby'sFine Art and AntiquesFebruary 2, 2018February 16, 2018Onlinehttps://goo.gl/qxP5SP
Jewels OnlineChristie'sJewellery & WatchesFebruary 6, 2018February 14, 2018Onlinehttps://goo.gl/Jv11fb
RM Sotheby's: ParisRM Sotheby'sLuxury CarsFebruary 7, 2018Parishttps://goo.gl/dvuRpt
JewelryBonhamsJewellery & WatchesFebruary 7, 2018

London
https://goo.gl/M9fpxf
Travel & ExplorationBonhamsFine Art and AntiquesFebruary 7, 2018

London
https://goo.gl/H3B6Cw
Fine WatchesBonhamsJewellery & WatchesFebruary 7, 2018
Paris
https://goo.gl/KqUaN6
Les Grandes Marques du Monde au Grand PalaisBonhamsFine Art and AntiquesFebruary 8, 2018Parishttps://goo.gl/sdEhxb
Rétromobile 2018ArtcurialLuxury CarsFebruary 9, 2018Parishttps://goo.gl/xmHsZs
Racing, Flying & YachtingArtcurialLuxury CarsFebruary 11, 2018Parishttps://goo.gl/7x5biE
JF Chen CollectionChristie'sFine Art and AntiquesFebruary 13, 2018February 13, 2018New Yorkhttps://goo.gl/R3JKht
Old Master & 19th  Century ArtArtcurialFine Art and AntiquesFebruary 13, 2018Parishttps://goo.gl/juAo8P
The Gentleman's Library SaleBonhamsBooksFebruary 14, 2018

London
https://goo.gl/m9tDeR
Erotic: Passion & DesireSotheby'sFine Art and AntiquesFebruary 15, 2018Londonhttps://goo.gl/YWQp7G
Fine and Rare WinesBonhamsFine WineFebruary 15, 2018

London
https://goo.gl/qBajqK
Watches and WristwatchesBonhamsJewellery & WatchesFebruary 20, 2018

London
https://goo.gl/GfCYo4
Contemporary Art OnlineSotheby'sFine Art and AntiquesFebruary 21, 2018March 6, 2018Onlinehttps://goo.gl/Fqzhmf
HOME & InteriorsBonhamsFine Art and AntiquesFebruary 21, 2018

Edinburgh
https://goo.gl/GfCYo4
Fine Wine & SpiritsArtcurialFine WineFebruary 22, 2018Parishttps://goo.gl/P9mAaR
Race Retro Competition Car Sale 2018SilverstoneLuxury carsFebruary 23, 2018Coventryhttps://goo.gl/ndsofm
Finest & Rarest WinesSotheby'sFine WineFebruary 24, 2018New Yorkhttps://goo.gl/NqKDhj
Fine ArtHeritageFine Art and AntiquesFebruary 28, 2018Dallashttps://goo.gl/Fqzhmf
NOW!Sotheby'sFine Art and AntiquesFebruary 28, 2018Parishttps://goo.gl/P9mAaR
Impressionist & Modern Art Evening SaleSotheby'sFine Art and AntiquesFebruary 28, 2018Londonhttps://goo.gl/giFbWm
Africa NowBonhamsFine Art and AntiquesFebruary 28, 2018

London
https://goo.gl/vwMFCr

Related Blogs

Articural Tops Retromobile for Second Year in a Row

What to Expect from the 2018 Classic Car Market

The Art Business Today – Fine Art Collector Trends

What Borro Watched in January – SIHH 2018 Edition

There’s been a pervading sense of dread lingering in the air for quite some time, but following SIHH 2018 (Salon International De La  Haute Horlogerie) the fog of uncertainty seems to be lifting. After a year that saw the industry recover slightly, hopes are that the industry’s clientele are done hibernating and ready to kick off 2018 with the ringing of cash registers the world over.

SIHH 2018 - Opening

Image Courtesy of SIHH

Brands are doing their bit to facilitate the current upswing, by continuing to aggressively expand their entry-level collections. In addition to wider array of options for first-time or budget buyers, brands seem to be more willing to acknowledge their own failed endeavours.

A noticeable reduction in novelties, as well as a brutal – and long-overdue – cull of bloated chapters in their brand catalogues, has left the major players in the most competitive segments streamlined and better able to focus their efforts on giving the people what they want. Not, in contrast to previous years, what they want them to want…

On that buoyant note, let’s take a look at my favourite pieces from SIHH 2018 – one for the collector who’s ready to take the leap from entry- to mid-level pieces, and one for the seasoned aficionado who has dollar tree in their orchard.

Value Beyond Hype

Cartier is a brand I find myself talking about more frequently than it occupies my own mind or wish list. But as one of Richemont’s flagship models it has benefitted from the group’s recent change of direction.

SIHH 2018 - Cartier

Image Courtesy of Cartier

The new rash of Santos models released at SIHH 2018 has been well received, and for good reason. An overall slimming down of the case and bracelet is in line with the current trend of more versatile watches. Its heftier diameters (39.8mm – pretty big for a square watch) remain as an option for the broader wristed among us, but the real advancement here can be found in new bracelet technology that enables swift switching between styles thanks to a reliable and secure button release. Additionally, certain links have a quick release function, which enables ad hoc resizing for those warmer days. The pick of the bunch for me is the steel and gold model in the larger size, priced at a tempting $10,400. Not bad for a classic piece from a stalwart brand, now using their own in-house, anti-magnetic movements to power the show.

One for the Technophiles

For those of us who love seeing the new and creative way in which modern technology can be integrated into ‘traditional’ watches, the runaway winner from SIHH 2018 has to be the Ressence Type 2 e-Crown.

SIHH 2018 - Ressence

Image Courtesy of Ressence

I’ve long been a fan of this quirky little Belgian brand, and their continued existence and trailblazing development suggests I’m not alone. My favourite model from them prior to this release was the Ressence Type 5 – a bold reimagining of a dive watch that managed to be innovative, and weirdly classical (in a functional, if not aesthetic sense) all at once.

The newly unveiled Type 2 makes a powerful statement about the brand’s vision of the future. No Ressence watch features a traditional crown, due to the physical impossibility of teaming a hermetically sealed oil chamber (the unique Ressence Orbital Convex System, or ROCS) with a centrally located stem that would, in effect, ‘pierce’ the sealed chamber or throw the whole thing out of whack stylistically. To get around this, Ressence developed a mind-bogglingly complex case back setting mechanism, which has now been joined by a Bluetooth connected crown. This means your ‘traditional’ automatic watch will now keep perfect time thanks to an ever-active connection to your smartphone. This is a great, practically peerless example of how modern tech can positively influence traditional watchmaking.

Innovative is the word. Too often is it used in this industry, but Ressence deserve the title wholeheartedly. With no official pricing available at this time, the Ressence Type 2 e-Crown is expected to retail in the region of $50,000. Mad as it sounds, it’s a snip at that price.

 

About the Author

Fell Jensen is a Swiss-trained watchmaker working as an industry analyst.

Related Blogs

SIHH in Review

What Borro Watched – February Edition

Are New Watch Materials Getting Old?

The Art Business Today – Fine Art Collector Trends

In our first blog recapping the Art Business Today talk from the London Art Fair 2018, we focused on digital disruptors in art. In part two of our coverage, we’ll focus on fine art collector trends. As a reminder, the talk consisted of 4 speakers, one of which was the host and chair of the hour-long discussion.

Speakers
Georgina Adam – Art Market Editor at the Art Newspaper and Art Market Contributor at Financial Times

Anna Beady – Deputy Art Market Editor at the Art Newspaper

Jeffrey Boloten – Course Leader of Art & Business at Sotheby’s Institute of Art

Peter Osborne – Gallerist at Osborne Samuel

Was the Leonardo da Vinci $450m sale a one off or is it a game changer in terms of fine art collector trends?

Peter: There is no way of predicting what a price is going to be or what it might become. It all depends on who’s in the room, who’s in the mood, and who wants to be known as the purchaser of a world record price. I call it ‘trophyism’, which indicates acquiring something that says something about you, for example the Louvre in Abu Dhabi making a statement displaying Salvador Mundi.

Anna: It was a total one off and the marketing of these types of works is incredibly important. I wouldn’t be surprised if a work sells for $1 billion; these people will buy a super yacht for the same money without even thinking about it.

Are fine art collector trends pointing to collectors having less respect for the market than they used to?

Anna: Collectors are now more self-made, coming from finance and tech backgrounds as opposed to inherited wealth, which has always been the tradition before. They usually don’t have parents who have always used one auction house before to sway their views. They also tend to find places to buy online and on social media, being more savvy with their choices.

Peter: Japanese people in the 80’s used to trophy hunt. I actually used to be asked to raise the price of my artworks so that it sounded more impressive, so they can show it off based upon the big numbers. Japan also brought in a tax on real estate, so art purchasing could be used for tax avoidance reasons. I have a friend in India who keeps his collection in racks at the back of his house in a store room; his collection is certainly not there to be enjoyed.


Has investment in art today become more important?

Jeffery: There are disruptors in the market. People are always going to be asking themselves the question, is this a worthwhile investment? Whether you’ve bought it for profitable reasons or not, somewhere in your brain you want to make sure you’re not being ripped off, serving to validate your taste.

Peter: Don’t believe for a second that anything but the very top end of the contemporary art market is a worthwhile investment. The strike rate is tiny for low or middle end art investment. Nobody at this art fair will be looking to make a return on their investment, instead they will be purchasing the art for pleasure, to put on their wall. There are far too many artificial external factors that interfere with the value of a painting for the price to be rationalised.

Anna: When a collector chooses to buy from a gallery, they are buying both the gallery’s eye and their marketing skills.
Peter: Once a year I have a meeting with my bank manager. Over the last 5 years I have noticed my bank manager being far more willing to lend large sums of money. He said they are really into art and want to lend money against my gallery’s art collection using the top end pieces as collateral. This shows even traditional banks are employing art lending and using it as a source of financing. However, another thing they left out was that they wanted twice as much collateral for the loan and the deeds for my house!

Related Blogs

Highlights from the London Art Fair 2017

The Art Business Today: Key Market Concerns

The Art Business Today: Key Sectors for 2017

The Art Business Today – Digital Disruptors in Art

The Art Business Today was one of the most heavily anticipated talks from a large selection at the London Art Fair 2018. The talk discussed everything from how the internet is changing the art market and the buying process, to the already infamous $450 million Leonardo Da Vinci. The talk consisted of 4 speakers, one of which was the host and chair of the hour-long discussion. We’ve broken their discussion down into two parts. Part 1 or our coverage focuses on digital disruptors in art.

Speakers

Georgina Adam – Art Market Editor at the Art Newspaper and Art Market Contributor at Financial Times

Anna Beady – Deputy Art Market Editor at the Art Newspaper

Jeffrey Boloten – Course Leader of Art & Business at Sotheby’s Institute of Art

Peter Osborne – Gallerist at Osborne Samuel

Are there digital disruptors in art similar to Uber in the transportation space?

Peter: There is a widely held theory that everyone is going to buy from JPEGs straight off the internet without learning about the background and the artist, but this is not the case in my experience. You buy an experience and relationship, a depth of knowledge, what the artist’s history is, etc.
The only people I can think of who would buy art as a meaningless object are speculative investors who usually always crash and burn. I violently object to people buying from a JPEG, its profoundly illogical and irrational. These fairs are all about engaging artists with people and establishing relationships.

Jeffery: All the online reports I read are saying that people engaging with auctions online are new to the art world. There is a trend towards hybrids – online and real world working together. 82% of people are put off purchasing artworks online as they can’t see it in person. The internet should be used as a means to an end, not the end itself. People who are purchasing entirely online is becoming a rising statistic, but nobody is going to buy a $10m Matisse online; they’re going to want to see it in person.

Anna: I am now probably more swayed as to what exhibitions I go to, based on what events are filling my Instagram feed, as I would be from reading a critic in a newspaper. I find myself starting to take recommendations from social media more and more often.

Are artists going their own way with Instagram etc. to try to promote their work or are they still using traditional outlets such as galleries?

This question was posed to Jeremy Gardener, a well-known artist who was a member in the audience.

Jeremy Gardener: I’m 60 years old. It’s been vital for me to build a relationship with my audience on social media and YouTube, alongside the gallery. I can share things with my audience that they don’t always get to see. Big artists are brands, so therefore I ask the question, how do middle/small galleries survive?

Anna: Some artists are incredibly sophisticated on social media, where they almost build a cult, they have more direct access without an intermediary of a gallery. It is almost like self-publishing.

Peter: Its becoming tougher and tougher for the galleries to survive. It’s very difficult for artists to find a gallery due to the lack of exhibitions, the increasing online trend and larger galleries dominating the art world.

Jeffery: Galleries are the validators, they connect the artist to institutions, museums and curators which is what builds a market and reputation. Maybe the validators aren’t museums any more and it’s the Kim Kardashians and other Internet icons that control the market.

Now that you’ve read the latest on digital disruptors in art, learn about the state of collecting in the art market by reading on to Part 2 of our coverage.

Related Blogs

Highlights from the London Art Fair 2017

The Art Business Today: Key Market Concerns

The Art Business Today: Key Sectors for 2017